Writing Solo Together

Two weeks after Dr. Phil called in the winter of 2004, (scroll to bottom for that story) Cathy and I met to talk about writing a book about our reunion and turning points in our subsequent relationship. Drafts later, the finish seems closer.

We started autonomous blogs, mothertone (mine) and reunioneyes (hers) that tell the story of our story. Following the same premise as our collaboration; we write on the same topic from our unique views without sharing blogs.

We have been writing mutual chapters to describe our experience. Starting “At 18” with snapshots of who we were at that age. Me, an eighteen year-old pregnant with Cathy in 1971. Cathy, a high school graduate who decided to look at her birth records for more information about who she was the day after she turned 18. That was in 1989.

Now, it’s 2012. The day we met as strangers twenty-three years ago set a stage that has reconciled characters we had only imagined until then with the people we are. An overlay of compassion and respect imbues a simmering pot of ingredients we share. We recognize our differences and explore them with sensitivity and curiosity that reminds me just how lucky we are to have come this far, or not. It is not without gratitude that we write.

We are also grateful to those who hold our story and encourage us.

Still, the truth can be delicate – not how we wish it was or how it might have been if things had been different. We write our sides as they went. I don’t know what she has written but that doesn’t bother me, nor does it matter as much as the fact that we get to do this together. We are collaborators.

I get to partner with my daughter in an uncanny act. To tell our story through the lens and voices of our tale’s characters, Cathleen and Kathleen, she and me. Behind my apparent confidence, I certainly wonder who I’ll see in her eyes and guess that she wonders who she’ll find in mine. It’s scary but not enough to stop.  We trust it. We trust each other. That’s enough.

Our project has been a touchstone between us for eight years now. We slog forth and do the best we can to get the writing done and to meet draft deadlines in between marriages, babies, business shifts and a traveling worklife. No matter how much we each procrastinate and grumble, we are eager to complete what we started.

When we come together, we sit facing each other – laptops to laptop – and write, sometimes for a few hours, and on rare occasions for days with breaks for meals and sleep. Once in a while, one will ask the other a question (usually related to chronology or food.) The rest of the time the only sound is that of the keys on our computers tapping. Sometimes one or the other wipes a watery eye; other times a “Yes!” squeals out approval in the air for a piece that finally unfolds just right. We cheer each other on unwittingly and then zoom back in to our screens….tappity, tappity, tap. Time passes too quickly, always.

So far the only real cost has been in time and discretionary privacy – the fee for serving a demographic that has had little to no voice in modern literature. We hope that this story will help people discover useful truths about what it’s like to be in our roles as we point to the practical and miraculous as it happened to us.

As long as we don’t share our writing with each other, it is you, dear reader, who will know better than either of us, how it goes. Comments would be most welcome.

When we’re done, it won’t surprise me to miss this work with Cathy. Even unread and ignorant of her chapters, I love the bond of our work together; it makes me relish what would otherwise be too hard.

If sharing our complicated (or are they simple?) sides brings a new level of understanding to those who might benefit from hearing one true story of a secret daughter and a secret mother who found more than each other in reunion – it will have been worth it.

An Ordinary Act

Here we are at Starbuck’s writing together, laptops touching, our coffees on the side, her sneakers tap in secret code out of the corner of my eye. The sun is shining as skinny green tips point from the ground in a dress rehearsal for the real thing and false spring charms us into forgetting the dump of snow just weeks ago.

My daughter is so unpretentiously pretty in her warm pink thermal top and jeans as purple-colored locks fake out her otherwise reddish brown hair and dance like freestyling loosestrife on the perimeter of her heart-shaped face. With the uncanny beauty of wild roses, she is so lovely without trying – zero makeup and no time to primp with her two young sons tugging at her from either side. After delivery of a cup of juice to the three year-old and a sketchbook for the five year-old, they are left in the open arms of “Uncle Grandpa” (Steve’s beloved moniker) and we dashed out the front door to steal up the street on foot for an hour of writing together in the closest coffee shop with wi-fi.

It’s Sunday – a gorgeous day that makes me homesick for my thirty-five year-old hometown here where I used to live just ten blocks from Cathy’s house. Now its a hundred miles to get to this familiar spot. That I get to be with her this way is no small thing for me and I am happy, thankful to be here.

Steve and I played the Winterfolk Concert last night at the Aladdin Theater amongst a stellar lineup of musician friends.  Our songs transcended the oldest of bonds and grew a few new ones, both in the audience and backstage. Musical memory took me all the way back from 1981 and the Irish sessions in the East Avenue Tavern to last night thirty-years later. We joined once again over music and raised money to feed the hungry and inspire community on one of the city’s most historic stages. The folk element of Portland came out; the connection was strong, the music was alive and it was one fine night.

My daughter was amused this morning by the role reversal at play as it was we who arrived home to her house at 2am while she and her family slept a full night’s sleep on a Saturday night.

I was a thirty year-old playing those sessions back in 1981. Cathy was ten and growing under another family’s roof in New Jersey.  Thirty years have passed since then and we have become closer with time.

At almost forty-one, my first daughter sits across from me, pounding out her thoughts in her own words while I face her and search for mine. Being together this way thrills me. We have been given one precious hour alone together. After that she will return to Sunday with her family and Steve and I will head north on I-5 and home in Olympia.

I take it all in from behind my sunglasses. People swing through the door just beyond Cathy’s left shoulder. They come and go like crows sweeping in to feed and settle inside and out with caffeinated cups held carefully in their clutches as they perch to sip and talk.

To passersby, we look like two women involved in what has become an ordinary act of writing on computers together at a little round table in the window with only the sun connecting them in the light of afternoon sunshine. Our postures suggest a routine between two women who bear a resemblance to one another and seem otherwise disengaged, synchronized, non-attached.

I peek at her behind my sunglasses and cherish the furrow deepening in her brow. Her eyes dart back and forth across her computer screen, scanning the map she has choreographed from her tapping fingertips.

I love that my eyes are invisible to her just now. She is unaware of my eyes holding her as she freely watches her thoughts tumble into words on screen and reflects on whatever she might be saying about me, us and this. I’m not curious. I just want to be here.

My heart blooms in the ingredients of this moment. Doing what we are doing together, is something that, no matter what direction it takes, belongs to us and only us. It is so delicious. My eyes smile through dark lenses on my poker face as I take hers in. I want to draw it, paint it, frame it, hold it, kiss it, keep it. I wish it was a sketchpad instead of my computer under my fingertips but I don’t mind. It’s good to be here, doing this work we’ve made up together.

I feel all this and she doesn’t even know.  Like a baby whose mother croons and kisses her child’s temples and cheeks, I sit and watch her serious expression shift in and out as her thoughts dance and recede with the furrow on her brow. Baby’s have furrowed brows sometimes, even middle-aged ones.

It would be so easy to list why this simple act is so freaking wild. Instead I hold my head in my hand and act as though this is just another routine on just another day in just another town with just another daughter – and all along my heart beats, bare-assed and yelping on the roller coaster ride inside my skin.

My daughter sits on the other side of the table and doesn’t hear my holler echo, “I love you, Cathy!”

Wist and Wonder

By the south shore of the Sound, tidal waters came and went, salty and teaming with life in motion. High water from record snowfall rose and fell under the 4th Avenue Bridge in Olympia and stories of otters, heron and marine life returned with my husband’s daily walkabout on his errands to town and back.

My back injury would take a while to heal. Fall turned to Winter, and with it a season of stillness held my body in place as my mind traveled across far-reaching deserted memories I had left for lost.

Chapters for Kathleen~Cathleen tap their feet, waiting to be redressed. I’ve only told my side of the story in starts and pulls.  Finished, it awaits refinement. The story begs to be told – the way only Cathy and I can tell it.  Our story is held private by all but ourselves, even from each other. As we approach the tale, we find our own truths embedded in pearls of synchronicity and along the edges of conflict.  The glue that binds us together is a gooey mix of pain, hope and surprise. There is tenderness but that is kept in a safe place where none from outside can touch or steal it. What we have is ours, it belongs to us and we have come a long way to claim it, in each other and in the world. It is our love.

Cathy is my firstborn child. I am her original mother. She joined the physical world through me, if not with me, when I was eighteen.  She was delivered from my body to another family through adoption. We met eighteen years later. Our overt relationship began then but we have always been in relationship.  Cathy was part of me and I was part of her, we were invisible but keenly felt in each other.

Now we are working, together and apart, to tell the story.  In between the husbands, children, jobs and quirks of daily life, we steal to our corners and write our sides as we can in hope that we will deliver the story as it was delivered to us in time to help the people it’s intended for.

One of our mutual topics is dealing with the holidays. I’m not sure what hers will say but I’d guess her version might contain a similar mix from her end…

Christmas holidays came and went. It used to be, before we met, that we thought of each other with wist and wonder, imagining how the other might be celebrating. Now, twenty-two years into our reunion, we still think of each other wistfully and wonder how it is for the other. The main irony between before and after our reunion is that the invitation that was impossible before is still left unexpected.

When we lived close by, there was possibility for more spontaneity and sneaking time together in-between plans with adoptive parents and in-laws didn’t interfere with the mainstream of life. Offers to babysit were always grabbed with excitement and gave us a place to be with our grandsons – beautiful bits of time.  Now that we are a hundred miles north, opportunity thins to rare phone calls and occasional emails. Attempts to connect spin outside the chaotic chase to keep up with life at hand. Her parents come out from Florida every Christmas for a couple of weeks. Her in-laws live nearby. Even when we were down the street, it was complicated to drop by uninvited and invitations didn’t come often.

The birthmother is still invisible on the official list of celebratory characters and the experience of the past many years tells me that it’s awkward for my daughter to include me without struggle. As thick as the rope might be between us, the sinewy threads that twist us together are not readily mixed with the fibers that make up the rest of our lives. Her primary family is counted without me. Just because I count her as a member of my family (better late than never) that doesn’t mean that the reverse is true. I claim her as my firstborn daughter but in light of her family hierarchy, that holds no weight or semblance of expectation in her plans or her life as she knows it. Our relationship is a sideline to everything else and it’s optional. She calls the shots. I mostly wait.

The question of knowing where to include her and be included by her agitates in rough silence before holidays, summer vacations, school plays, birthdays, graduations, hallmark days, weddings and funerals.

It’s not that we don’t mix with her family members, we do.  We are a varied but likable mix and Cathy is the common denominator. We all played a part in their wedding. We were all in the waiting room when each of the grandsons were born. Three sets of grandparents, hers, hers and his, respectfully waited together in anticipation; cajoling, knitting and looking at the clock. We all came because we wanted to be there and took our place to share in our part as Cathy’s family-in-waiting. Even her birth father was welcome.

Season after season of holidays, birthdays and family events later, I find myself fighting urges to become recluse and to take expectation out of her equation. I don’t expect invitations anymore and stopped looking for it a while back.

I know there’s a place for me somewhere in this. We do have a relationship. It seems so natural when we are together.  In it’s way, it’s motherly and daughterly. I struggle for equilibrium and wander through oceanic feelings that toss and recoil as I reach and pull my way back and forth from where we were nothing to where we are something, from where we come together to where we don’t. I’m never sure where I stand. Sometimes takes mock strength to move forward. It’s still better than nothing or not knowing who or where she is. It’s hard not to want more but I’m lucky to have a turn at all.

She seems to feel close to my husband at times, he is genuine and their relationship has a ring of affection and authenticity. There is no barrier of grief or loss between them. I can’t help but envy how easy they are together. Our grandsons love him and that love is safe, warm, fun and natural. My husband’s voice resonates with stories as he reads from their favorite books. I am tongue-tied but so happy to be near them. It is a gift worth more than gold.

I look on with longing, not sure if it’s okay to love them as much as I do. I cling to their innocent acceptance and affection. Underneath the question remains whether they will shun me later when they learn what I did?  What will allow them to trust me when they learn the truth, that I let their mother go? I was young, not evil, but the consequence was grave, important and permanent. Even if she forgives me, will they? If I’m not on the family list of the invited, then I don’t belong. I’m an anomaly. That’s the kicker and it’s not her fault, it’s mine.

I would rather be their champion. Instead, I carry a terrible role in a tale that must wait until they are old enough to hear it so they can bear its meaning. In order for them to understand who I am and where their mother came from, they will need to know the truth. This is true of all my line; in the beginning it was my siblings, family and friends, and now my children’s children who will need to grow old enough to hear the story that is as sad as it is good. The story is its own riddle and it is my pass from invisibility to having a relationship. That makes it worth the trouble.

Hope rises in spite of myself. I blame this on optimism that seems to refuse to go idle in spite of myself. My daughter’s love and acceptance, or not, is what my grandsons will know, feel and respond to in time.  I would like their hearts to find love inside the complicated truth. I hope for the best.

My fingers drum simpler questions into my knee as I wonder how school is today and whether they have colds or need their jackets zipped up to their chins. I wish I could walk them home like grandmothers do; like a mother would have walked their mother home when she was their age.

“Love is the answer” a mantra whispers as one foot follows the other on a recent walk around my brother-in-law’s block in New Jersey. I called Cathy on my cell phone from our mutual childhood stomping grounds to tell her where I was, that I was thinking of her and that we would be coming to Portland soon. She asks if we’ll stay over when we come and I think I hear a hint of hope in her voice. I grin and say yes. My heart flutters. We will.

It’s all good…

Visiting the topics inherent in Kathleen~Cathleen brings us all into some sensitive territory. The truth is that although it’s a controversial subject, Cathy and I enjoy each other.  A great deal of what we cherish would never have come to light if we hadn’t explored the shadows our relationship sprang from.  The patina of our relationship between us grows richer and more exquisite and the sheen never dulls with time.  We are aware of the irony and paradox we live with. The closer we get, the deeper the loss is felt.  Still, it’s better than the void. It is worth the risk to have what we share.  It holds a place of honor in my heart, in my family, in my life.  For this, I am grateful.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

To read Cathleen’s counterblog, please visit http://reunioneyes.blogspot.com

Kathleen~Cathleen is a book between a birthmother and reunited daughter (in reunion for twenty-two years) who have chosen to write mutual alternating chapters from their individual perspectives without sharing their content with each other until they are finished.  The authors, Kathleen (Kate Power) and Cathleen (Cathy Heslin) have been co-writing Kathleen~Cathleen for seven years.  They are near the finish line.

The decision to segregate content allows the writer freedom from each other’s influence as we tell the story and respond to mutual topics from our own points of view. This allows the reader to integrate a story larger than the characters who play the parts.

We invite you, the reader, to comment on the experience of our process on either or both blogs and we appreciate the protection of our content from our co-author while we provide you with our perspectives in this unique way.  Thank you. – Kate (Kathleen) & Cathy (Cathleen)

Forty Years Later Letter

Dear Stephen Joseph, Michael Francis, Brian Frederick, Mary Ellen, Kevin John, Deborah Marie & Regina Maria,

I am writing you today as your sister. I need to tell you some things and share a part of myself that got sideswiped when we were all still together – a part I never really recovered with you. It affected Mom and Dad, too but that’s a different letter that needs to be written another day. They did the best they could.

I want to tell you some things – complicated things – but before I do, I want to tell you that I love each one of you for being my brothers and sisters. Even Johnny, who left us by accident before most of us were born, is counted – the one who took on the mantle as the family guardian angel as our first brother and was the first one of us. Even though he was gone, Johnny was always there as part of my first memory – I was the next one born after he left. He was a part of the family fabric as first son, as though he was standing right there. He was looking after us from heaven, as Mom always said. No matter what we were doing, where we were or how we needed him, he was there – checking in. I felt his oversight when I came out of brain surgery. I knew it was him and that he was there with me – guiding the doctor’s hands, making sure I was okay when I woke up. Dad was there by my bed, my head all wrapped in gauze. I think he felt him too.

I just wanted to let you know that I’m sorry I couldn’t share Cathy’s birth with you. I know now that she, like Johnny, was a presence in our family – invisibly but palpably – not only for me, who grew, felt and watched her grow from my secret belly, but for you, too – each of you, who knew without saying or telling that news of Cathy was missing from the table.

If Mom and Dad had folded the indiscretion and Cathy’s existence into our unfolding cast of characters in the family story, chances are that none of us,  and least of all me, would have been able to let her go.

I’m sorry for the loss of Cathy in your lives right from the beginning. Gaining these past twenty-two years between Cathy and me since she turned eighteen has been a gift beyond hope. Thank you for loving her now, even in the limited ways to be found – and for loving me anyway, besides and always. I love you too. I feel you inside the beat of my heart when I say “my brothers and sisters.” We learned love as a family. I do love you.

Your sister,

Kathleen Mary

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

To read Cathleen’s counterblog, please visit http://reunioneyes.blogspot.com

Kathleen~Cathleen is a book between a birthmother and reunited daughter (in reunion for twenty-two years) who have chosen to write mutual alternating chapters from their individual perspectives without sharing their content with each other until they are finished.  The authors, Kathleen (Kate Power) and Cathleen (Cathy Heslin) have been co-writing Kathleen~Cathleen for seven years.  They are near the finish line.

The decision to segregate content allows the writer freedom from each other’s influence as we tell the story and respond to mutual topics from our own points of view. This allows the reader to integrate a story larger than the characters who play the parts.

We invite you, the reader, to comment on the experience of our process on either or both blogs and we appreciate the protection of our content from our co-author while we provide you with our perspectives in this unique way.  Thank you. – Kate (Kathleen) & Cathy (Cathleen)

Nun Too Soon

One

Girls in white dresses dangle rosaries in the May procession.  I sneak Mom’s cigarettes and smoke in the woods with my best friend, Bonnie with breasts, teased hair and gum.

Two

Grandfather is taking my brothers on a fruit boat to South America. Being a girl means I stay home.  I didn’t know there was a difference – until then.

Three

Cloistered nuns without voices pray

To heal the world outside the gates

That keep them safe from it.

I want to join them; an offertory…

And then you kiss me;

I sing instead.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

To read Cathleen’s counterblog, please visit http://reunioneyes.blogspot.com

Kathleen~Cathleen is a book between a birthmother and reunited daughter (in reunion for twenty-two years) who have chosen to write mutual alternating chapters from their individual perspectives without sharing their content with each other until they are finished.  The authors, Kathleen (Kate Power) and Cathleen (Cathy Heslin) have been co-writing Kathleen~Cathleen for seven years.  They are near the finish line.

When the book is done, they will share their chapters prior to publishing the book. This technique is used to recreate their story in its truest, unaffected form so that the reader may integrate their experience as a whole and come to their own conclusions. This effort is being made in the hope of deepening understanding for people separated  by issues of identity and social standards.  Kathleen (Kate/mothertone) and Cathleen (Cathy/ReunionEyes) have extended their autonomous vehicle to their current blogs as they reflect on agreed-upon mutual topics without sharing content.

The decision to segregate content allows the writer freedom from each other’s influence as we tell the story and respond to mutual topics from our own points of view. This allows the reader to integrate a story larger than the characters who play the parts.

We invite you, the reader, to comment on the experience of our process on either or both blogs and we appreciate the protection of our content from our co-author while we provide you with our perspectives in this unique way.  Thank you. – Kate (Kathleen) & Cathy (Cathleen)

A Chord

I am 5 years old…  My father has shown me a trick on the piano as we sit together, his fingertips settled on the keys to play.

“One key, skip a key and then press the next key.  Doe – re – mi, doe – mi, see?  Harmony!”

“Now watch. If I move my fingers up to the next note, skip two, press three, there you have it again, harmony… but it’s a little higher, doe – mi.”

A lock of his brown hair falls out of place over one eye and he looks like a kid, like us – always something just a little out of place, no matter how well we put ourselves together.

“Now, you sing it when I play it.  I’ll be doe and you be mi.  He puts his long finger over my little one and we press middle C together.

He sings “doe.”  I follow under his note “doe” imitating the sound, my little voice under his.  He walks up “re” then once more to show me the third note.

“Mi” he says gently, “that’s your note.”

I hear the sound and sing it louder, “Mi.”  His “doe” still sounding, in chorus.

“We’re a chord!” he says smiling.

I grin, looking up to him. “Let’s do it again!” and we do.

I am 14… My father sees I’ve gotten bored with the autoharp he gave me for my birthday four months ago.  My eyes look longingly as he plays his guitar with me in a chair across from his in the living room.

“Dad, can you show me how to play the guitar?”

“Sure honey, here.”  He holds up his guitar by the neck and hands it to me and then picks up my brother Mike’s classical guitar leaning in the corner of the  wainscoted walls and throws it comfortably on his lap.

“Here’s what you do.”

He begins to show me.  I follow his fingers around the neck with mine, finding the stations for each fingertip; G, C, D. “Four Strong Winds that blow lonely, seven seas that run high, all those things that don’t change, come what may…”

“Okay, go try that for awhile” he says.

Thirty minutes later I’m back for more.

He laughs when he sees I’ve got it.

I am 15… My father has driven me to The Experiment, a new folk club with psychedelic walls that has opened in the next town just up the hill from the train station in Bernardsville, New Jersey.  It’s my first audition, six months after my first three chords.  I’m young and the owners are busy until I sing, “The way I feel is like a robin…

The bartender behind the counter stops circling the counter with the wet terry rag. A smile cracks the owner’s face and he leans against the doorjamb, clipboard folded across his chest.  I close my eyes and press into my guitar to sing.  I get the job.

Forty-five years later, that day is still one of my father’s favorite stories.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

To read Cathleen’s counterblog, please visit http://reunioneyes.blogspot.com

Kathleen~Cathleen is a book between a birthmother and reunited daughter (in reunion for twenty-two years) who have chosen to write mutual alternating chapters from their individual perspectives without sharing their content with each other until they are finished.  The authors, Kathleen (Kate Power) and Cathleen (Cathy Heslin) have been co-writing Kathleen~Cathleen for seven years.  They are near the finish line.

When the book is done, they will share their chapters prior to publishing the book. This technique is used to recreate their story in its truest, unaffected form so that the reader may integrate their experience as a whole and come to their own conclusions. This effort is being made in the hope of deepening understanding for people separated  by issues of identity and social standards.  Kathleen (Kate/mothertone) and Cathleen (Cathy/ReunionEyes) have extended their autonomous vehicle to their current blogs as they reflect on agreed-upon mutual topics without sharing content.

The decision to segregate content allows the writer freedom from each other’s influence as we tell the story and respond to mutual topics from our own points of view. This allows the reader to integrate a story larger than the characters who play the parts.

We invite you, the reader, to comment on the experience of our process on either or both blogs and we appreciate the protection of our content from our co-author while we provide you with our perspectives in this unique way.  Thank you. – Kate (Kathleen) & Cathy (Cathleen)

The Great Escape

When Cathy turned forty in April, I looked around for what to give her.  I had gathered most things of nostalgic sentiment in years past; the cape Bob made for me when I was pregnant with her, gold rings and gem earrings, a book of letters between us the first few years after we met.  Now what?  What would mean something to her?  Things that have deep meaning for me may mean nothing to her. Our taste is so different that I can’t just guess and get it right.

Forty is a big one.  It’s middle age.  It’s in-charge maturity.  Nobody’s a baby anymore at forty.  Still, that baby born all those years ago needs to know that this marker won’t slide by unnoticed by the mother who delivered her.  I want her to know that even when she thinks I’m not looking, I’m paying attention and thinking about her.

Queuing in to find the perfect thing, I close my eyes to open my mind and think, “What?” With my eyes shut, I skim the neighborhood and look for what might be calling to her.  Her yellow house sits like a buttercup in the field of vision in my mind’s eye. The little molded plastic swing hanging from ropes is still.  Her red Subaru is in the driveway with two car seats in the back for the boys.  The flap on the black tin mailbox hanging by the front door is closed and nothing is clipped on the lid to send out. Otto, the bear-sized Irish wolfhound takes a backseat in the house, no longer center stage after children came; he lumbers now from here to there like a piece of hairy furniture on legs when he’s in the way and settles for a corner of the dining room near the window, lays his head down and closes his long-lashed eyes.  All is quiet.

I see a beach, water and food and drink – it’s foreign, not so familiar. There’s an element of adventure in my mind.  There are no husbands, children or dogs.  It’s a free zone.  That’s it!  I’ll take her away.  We’ll go be in some new place together.  We will share the unknown and an exquisite adventure, just the two of us.

It occurs to me that I haven’t had Cathy to myself, nor has she had me for almost twenty years.  When she first came out to Oregon we had a weekend at Cuddlestone Cottage in Depot Bay, a gift from a friend.  That was a very long time ago.  That was in 1993.  How can it be that these many years have passed and we didn’t take more breaks together?  Stymied, I parked the question and began to ponder where I should take her.

I tell her that I’m going to kidnap her for a few days.  I can’t tell her where I’m taking her and she won’t know until we get there.  I ask her for three nights and four days.  She gets back to me and we decide on mid-May.  She likes the idea and I can feel her grinning through the phone.  She wants to celebrate her fortieth for forty days and forty nights so this will still fit her overall plan.  Cathy’s an avid planner and approaches party themes for events with gusto.  Her thirtieth birthday was a call to her overreaching clan to meet in Vegas for a week.  This birthday wouldn’t be Vegas.  This chapter of her fortieth birthday would be just the two of us.  Her fortieth, a marker of maturity. It would be personal, free and fun.  Now for the exotic part, where?

Thoughts of British Columbia brought passports into the picture and lent more mystique to the brewing anticipation. As fun as that was to consider, all my leads dried up and I was back at the drawing board when it hit me.  Of course!

We’ve been writing a book for seven years.  Cathy had a long stint in and around Goody Cable’s Rimsky Korsakoffee House in the Buckman neighborhood during her early Portland years.  Goody also owned an exotic writer’s haven in Nye Beach on the Oregon coast.

The Sylvia Beach Hotel was an old boardinghouse with a colorful history. Goody converted it into a hotel and modeled the rooms after favorite authors. Every room had memorabilia and décor suited to the author’s taste: Mark Twain, Colette, Alice Walker, Emily Dickinson, Dr. Seuss, Hemingway, Herman Melville, Jane Austen, Shakespeare, Steinbeck, Tennessee Williams, Virginia Woolf were among the heroes commemorated.  I called Goody and told her what I was up to and what room she would recommend.  “The Steinbeck Room was just finished last week, it has two twin beds and might work” she said. After thanking her, I called the desk to inquire about the dates Cathy had given me.  Yes, the Steinbeck room was available. I booked it.

Apart from being hired in beautiful places, Steve and I didn’t have extra money for romantic getaways together but he knew that this birthday was a significant one and he encouraged me to go ahead and make it something special.  She laughed when I told her that our plans were set.  “We are expected by dinnertime. I think we’ll get there by then,” I teased. Her fun side was tickled and I was chuffed to be giving her something to look forward to away from the familiar twists and turns she knew so well.

Steve brought me to the train station, kissed me goodbye and with a smile I waved as he headed for the car. He was looking forward to the time to work on his art projects and relished the idea of uninterrupted time in the woodshed. An evangelical was on the npr news station with word that the The Rapture was scheduled to occur at the exact same time as my return train ride home a few days later.  My heart gulped a string of what if’s as the words of the doomsaying soothsayer faded to low and a rush of geese honked high overhead.  I felt foolish but I hoped aloud that I would return to him as planned without any Old Testament apocalyptic interference. I felt stupid for believing the unbelievable but there it is, I’m impressionable no matter how old I get!  My practical nature scoffed it off and I laughed at myself while the discovery channel in my psyche murmured underneath, “Well, so, what if this is it?” It added an element of unwelcome suspense to my plan.  If it’s the end, it’s the end.  Who knows where any of us will be in the end.  Remember, be here now, drones Ram Dass lodged in my memory banks.  Now is good.

The early morning train from Olympia brought me a hundred miles through the greenbelt and along the river to Portland in two short hours on our appointed day. Cathy picked me up right at 11 o’clock in her car with a tank full of gas and coffee in her cup. I stuffed my things in the back of the car and got into the passenger seat. We congratulated each other on the sunshine (never taken for granted here!) and she started the car.  We were eager to be on our way.   Directions printed out and folded on my lap, I would look and tell her where to turn when and we were on our way.  She knew that we were headed for the coast (I had told her that we would be near saltwater) but she had no idea where.

I smiled.  She loved not knowing and creating the secret surprise for her was fun for me.  She had shared that her actual fortieth birthday bombed as an anticlimactic and disappointing day.  Thus, she decided to extend her celebration until she was satisfied.  I wanted to give her a gift that would make her smile later on when she looked back on it.  We were on our way and we were smiling!

I touched her right arm with my hand and patted her. “Is it okay if I touch you?” I said as I rubbed her arm like a long lost relative.  “Yes!” she said and we were connected.  My heart jumped as I took in the profile of her face, serious and lovely.  “You are so beautiful, Cathy.” She smiled.

Along with the clothes in my suitcase were watercolors, sketchpads, a writing journal, Bananagrams, a book on dreams and a dozen little surprise gifts I had collected for Cathy. I had also brought my ukulele and a guitar.

I had started teaching Cathy songs on the guitar years ago and stopped. I was afraid to teach her. It was too close. If I had raised her she would have learned things of a musical nature naturally.  In reunion it was too much like an afterthought. I was scared of overwhelming her. I didn’t know how to show her things without being affected by the baggage that went with it.  The feeling of guilt was so strong – this medium was part of her cultural birthright and one more thing that was forfeited, I took it away from her when I decided not to raise her. Regardless of the rationale, it was true.  She wouldn’t have what came naturally because she was taken out of the natural setting she was born to. That was my decision and she lost this part.  I couldn’t bridge my guilt with “don’t worry, be here now” and so I stopped.  Steve took over the role of music teacher. He’s good at it and there’s nothing threatening about it from him. Cathy feels safe with him. No loss attached, only gain.  So she would learn when he showed her what to do.  I’m not sure if it’s me that felt unsafe or her but it was I who stopped short. When I showed her, I looked for something else to be doing.

Now I thought I’d bring the instruments just in case and we could play together if she wanted.  I would try to do it right this time.  She had a good old Ovation guitar that my dad, in his emblematic tradition, left when they visited years ago.  That guitar was still in good shape and had a place in the string swing downstairs on her recreation room wall back home in Portland.

A few miles later, we rehashed the series of events and preparations in our two households leading up to our departure. We soaked in the beautiful sunshine as she drove.  It’s no surprise that people in the northwest rarely feel the need to leave the area except in search of sun.  It’s one of the most beautiful and majestic landscapes in the country with a full cast of snow-capped mountains, rushing rivers, green fields and trees beyond number.  The air was green with Spring afoot and Life was everywhere.

At the right turn onto Hwy 101, Cathy had a flash of where we might be headed. “Oh, I know now!” when I called the next left and she was right.  The destination pleased her and she was delighted.  We were there in plenty of time to settle in before dinner.

The hotel has an historic feel and flowers were blooming all along the walkway to the side door and into the reception area.  The woman behind the desk looked up over her bifocals with the welcoming “Hello.”  We checked in for the Steinbeck room and she handed us the keys.

Being a mid-week afternoon the doors to all the vacant rooms were open.  Guests were invited to explore, each room a scene displaying effects, memorabilia and décor the authors might have chosen.  After we rolled our suitcases into the utilitarian Steinbeck room, Cathy got a look of excitement as she said, “Let’s look at the rooms!”

I grinned and followed her into the hallway and we went from one room to the next. “Oh look at this!” and we were in the Mark Twain room. There was a fireplace laid with wood.  A clawfoot bathtub sat like a lion in the bathroom, long and deep to get my soaking juices stirred up.  Our old house we sold in Portland had two good soaking tubs, one on both floors and I missed them sorely.  The bed was grand in size and a trundle bed peeked from a wooden runner with a cutout handle to pull it out from underneath.  The windows were laced in sheer curtains and the side door opened to a large deck with two wicker chairs.

“This is beautiful!” Cathy exclaimed.  Our tiny twin-bedded room looked smaller by the second.

“I love Mark Twain.  I love this room.  I love the deck” I said as the late afternoon sun begged for a visit.  I had packed Irish whiskey in a flask for just such a setting.  There wasn’t a deck or outside seating area from our room.  We left the Mark Twain and headed for Colette.  The Colette room was frilly where the Mark Twain was Midwestern. Colette pictured in the black and white portrait on the wall gave the viewer pause to wonder what thoughts lined up behind her kohl-lined eyes topping her bejeweled deco costume and risqué pose.

“This room is fun” said Cathy as we poked around. Fireplace, deck, lots of room.

One by one we walked through room after room.  Each one had unique features and works and quirks of its namesake propped in situ.  It was a fascinating calliope of characters, colors, textures and attitudes.  A wonder of the world, the theme of this hotel brought great minds together.  Now Cathy and I were here, memoir drafts tucked in our laptops, journals ready to receive and pens and pencils ready to serve.

We went up to the third floor where the receptionist invited us to come at 10 o’clock each evening for mulled wine, a tradition as old as the hotel.  This floor featured a common room lined with windows overlooking the ocean in front of a small kitchen with coffee, tea and water ever ready for guests passing through.  The hallway was lined with more rooms and a dormitory of bunk beds for the economical guests.

“This will be a perfect writing place” Cathy mused as we wandered the main room.  We had been acclimated to writing at the same table for years, working on our mutual memoir sketched out seven years before. We both missed our writing time together and looked longingly at the view and two overstuffed chair by the windows overlooking the sea.

“Yes. Perfect” I echoed.  Even without sharing our words we have shared deep writing space together.  Writing here with you for the next few days will be delicious, I thought to myself.  Maybe I’ll even paint.

Between sighs, long looks out the windows and top ups on cups of coffee from the kitchen, we would spend a great many hours here before leaving for home.

We returned to the Steinbeck room on the main floor and Cathy said she was going to call home to let her husband know we had arrived safe and sound.  I told her I would give her some privacy and went back to the hall, closing the door behind me.

Walking to the lobby straight ahead, I asked the receptionist if it was possible to change rooms?

“Oh yes” she said. “People often make a point of staying in a different room each night, sometime until they’ve stayed in all of them” she smiled at me.

“I wonder if we could stay in the Mark Twain room or the Colette room?”

She looked at the log on her counter and said, “The Mark Twain is available tonight and Colette is free tomorrow.  After that the rooms are full.”

“Could we move to the Mark Twain tonight, take Colette tomorrow and then go back to the Steinbeck room on our last night as planned?”

“Yes, you can.”

I knew it was more money but I also knew how excited Cathy was about the rooms.  This would be an experience she would love.  It was worth it.

“Let’s do it” I said.  “Done!” said she.  This was going to be a marvelous time and Cathy would feel celebrated no matter what.

“Happy birthday, Cathy, we’re moving to the Mark Twain room” I said as knocked and went back through our door.

Cathy looked up in surprise, “Really?”

“Really. Mark Twain tonight. Colette tomorrow. We’ll come back to this room on our last night.  Come on, let’s go.  We’ve got a little sun waiting for us on the deck before dinner.”

(to be continued)

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

This blog was also posted on Kathleen’s mothertone blog.To read Cathleen’s counterblog, please visit http://reunioneyes.blogspot.com

Kathleen~Cathleen is a book between a birthmother and reunited daughter (in reunion for twenty-two years) who have chosen to write mutual alternating chapters from their individual perspectives without sharing their content with each other until they are finished.  The authors, Kathleen (Kate Power) and Cathleen (Cathy Heslin) have been co-writing Kathleen~Cathleen for seven years.  They are near the finish line.

When the book is done, they will share their chapters prior to publishing the book. This technique is used to recreate their story in its truest, unaffected form so that the reader may integrate their experience as a whole and come to their own conclusions. This effort is being made in the hope of deepening understanding for people separated  by issues of identity and social standards.  Kathleen (Kate/mothertone) and Cathleen (Cathy/ReunionEyes) have extended their autonomous vehicle to their current blogs as they reflect on agreed-upon mutual topics without sharing content.

The decision to segregate content allows the writer freedom from each other’s influence as we tell the story and respond to mutual topics from our own points of view. This allows the reader to integrate a story larger than the characters who play the parts.

We invite you, the reader, to comment on the experience of our process on either or both blogs and we appreciate the protection of our content from our co-author while we provide you with our perspectives in this unique way.  Thank you. – Kate (Kathleen) & Cathy (Cathleen)

Ukalaliens & Scientists

Cathy called with excitement in her voice (or was it caffeine?)  Her department graduation for Computer Sciences at Portland State University was coming up.  She saw that we would be traveling through Portland that weekend and wondered if we would consider coming a day or two early with our ukuleles. She was writing a little ditty with the Bulgarian receptionist and he was a singer-songwriter.  It would be fun to teach the faculty a couple of chords on the ukulele and have them strum along while Cathy and her staff play in the background with a little twirling choreography to spice it up.  The serious nature of the graduating class, engineers and scientists, made it an enticing prospect for the Ukalaliens theme.  The graduating students would be flabbergasted with the sight of their teachers on ukuleles.

“Of course!” we replied.  “We’ll be happy to help. Ukalaliens in the Computer Sciences Department – cool!”

Besides, it was so unusual for a request like this from Cathy – it was an overt act of support for what we do that she even asked.  Happiness fluttered inside at the prospect of providing her with something important – even in the form of two dozen Kala travel tenor ukes.

Her voice sounded so tickled to have us onboard that my heart felt satisfied that this was something that only Steve and I could provide.  It was unusual for Cathy, usually so serious and practical, to come up with a scheme like this.  It sounded fun.

So, we planned our runout to Eugene to include an overnight in Portland for Cathy’s department graduation before the weekend of concerts and workshops down south.

Graduation morning in the Department of Computer Sciences and Engineering arrives. We arrived early to tune the ukes up and rig the faculty with ukes and show them the chords they’ll play when the ukes come out from hiding and get handed out to faculty scientist and engineers sitting in front of the graduation class.

One by one, professorial types approached our bins of ukuleles in freshly pressed suits, some a bit reluctant but ready to learn their two chords. These scientists and engineers are heavyweights in the cutting edge of new technology.

The twinkle in the eye of research scientist, Ivan Sutherland, lights up as he comes out from the Asychronous Research Center office to explore the fundamentals of the uke we hand him. We are in the presence of greatness. Ivan is responsible for computer graphics as we now know it – it was his “sketchpad” that started it all.  He is still in thick of it and delighted to be there.  I have been introduced as “family” but neither Cathy nor I volunteer anything more specific. We keep our focus on the ukes and grin.

A smile crosses the impish face of a tall scientist next to Ivan and we are introduced to Marek Perkowski, head scientist in Intelligent Robotics.  Marek is creating a robotic theatre company with his creations, a nod to his famous puppeteer ancestor in Poland. We are captivated by the work of both of these scientists and offer to help if we can contribute any musical or artistic aspect to their most interesting efforts. The conversation is fun and the context new to us in the hallowed halls of science and learning.

We are ukalaliens amongst giants here.  Awed by the brains we stand between, we hand the ukes out with a bit more reverence to this distinguished and dignified bunch. This is a first encounter between ukalaliens and scientists.  There is joshing in between their investigative reception of the instrument in their hands and our guidance. So experienced in their respective fields, they are brand new at this – that’s where we come in. The contrast between our offering and theirs is not lost on us.  Steve and I look at each with wonder – our work brings us into the most interesting circles. This one is at Cathy’s invitation – no small thing on so many levels.

We bring the ukes upstairs to the big room being prepared for the graduates and two hundred attendees.  Unzipping the gigbags out of two blue bins on the dolly, we place the skinny Kala travel tenor ukes behind the rim of the round table skirting the presentation area.  No one will be able to see them from there and they will be easy to grab and deliver into faculty hands when the time comes.

Cathy has worked out some cute slow-twirl choreography with the administrative staff to dance behind the playing scientists.  We have been asked to join the uke crew off to the side to lend support as they dive in to the song.  The dark-eyed young Bulgarian receptionist/songwriter is full of energy as he riffs on his Martin guitar, warming up for the processional.  We sit on two chairs next to him and watch the graduates line up and walk in line to take their seats.

There are short speeches by the department heads and dean followed by awards and the traditional granting of diplomas, sashes and handshakes.  When the list is finished, the Bulgarian dashes to the middle as we quickly grab the tabled ukes-in-waiting and hand them out. The eyes of the new grads grow wide as they watch their dignified mentors smile and begin to strum in concert with the song enthusiastically erupting. A few just hold them but most are strumming away. The dancing ukulele-playing support staff behind the faculty follow Cathy’s lead on her left and right and begin their slow twirl with big smiles and we strum along the side.

I watch Cathy with such pride and joy.  She is beaming and beautiful in her full-skirted white summer dress. Her smile lights up the entire room, dissolving academic gravity with pure enjoyment. The chamber of my secret with her fills with the light of her smile.  I savor watching her strumming and twirling with the smile as she turns. This is a delicious moment for me. She has managed this entire event and dances through it as though it’s all just a lark off the cuff. It’s more than that. It took guts for her to talk them into this. Her staff knows how smart she is – her boss is grateful she is there. Her ability coupled with warmth that is clearly a bonus to the department. They love that she is there. Ivan made a point of saying so. I feel some awe that she has brought us into this place and moment in her workplace and joy that we could do it.  She turns again and her cronies to the right and left turn with her. It’s a lovely sight.  I’m chuckling as we strum. The song is a hit – it touches the funny bone of the student body and the room erupts in applause and laughter. She wrote the music and he penned the words. Her first co-write. The uplifting finale elevates the event and everyone relaxes in victory and surprise.

The room fills up with the buzz of post-graduation chatter and congratulatory laughter as the new graduates mix with family and staff and prepare for the barbeque awaiting them outside.

Steve and I begin our closing routine and retrieve the ukes to begin zipping them back into their bags, line them up to stack in the bins and clip the bungie chords end-to-end on the dolly to roll back to the car.  I reach over for another uke to zip and overhear a man’s voice say the words “biological mother” in answer to a questioning tone on the edge of the crowd.  My cover is lost in those words as I reckon that my identity is a bit of a curiosity in this setting.  Cathy and I have been “out” for years but in new settings it’s always a tricky balance. “Biological mother.” It sounds so odd.  I’m not sure how to feel and my insides deflate. The words jar me and I feel exposed. His tone was so matter-of-fact – like naming an rarely seen animal in the zoo. I’m not sure what to do as I digest the scene. There’s no way to tell Steve or say anything here. I keep my focus and zip the rest of the bag, grab another uke and pack it up

Cathy and I text back and forth as Steve and I fill up our plates at the barbeque. She is busy with celebrating with the staff and working through the back end of her afternoon. Her text and voice mail is full of thanks.  My heart is thankful and confused. There is a place for me here.  The fact that it’s an odd chair at the table doesn’t make it any less a chair.  I choose to take my place and am glad for it. It is a hard seat but its mine.  I may not ever get used to what people call me or think of me in this context.  It was meant to be a secret. I am an exposed secret in ordinary settings. I am showing up in spite of feeling that I don’t belong there.  Cathy invited me and I said yes. That’s all there is to it.  I may be a fish swimming upstream and that is just the nature of my existence here.  Maybe I’ll get used to it, maybe not. I’m a fish so I swim.

Steve and I pack the ukes in the car. He holds my hand and we begin our walk to catch a matinee of “Midnight in Paris.”  Today was a special one. Tomorrow Eugene.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

This blog was also posted on Kathleen’s mothertone blog.To read Cathleen’s counterblog, please visit http://reunioneyes.blogspot.com

Kathleen~Cathleen is a book between a birthmother and reunited daughter (in reunion for twenty-two years) who have chosen to write mutual alternating chapters from their individual perspectives without sharing their content with each other until they are finished.  The authors, Kathleen (Kate Power) and Cathleen (Cathy Heslin) have been co-writing Kathleen~Cathleen for seven years.  They are near the finish line.

When the book is done, they will share their chapters prior to publishing the book. This technique is used to recreate their story in its truest, unaffected form so that the reader may integrate their experience as a whole and come to their own conclusions. This effort is being made in the hope of deepening understanding for people separated  by issues of identity and social standards.  Kathleen (Kate/mothertone) and Cathleen (Cathy/ReunionEyes) have extended their autonomous vehicle to their current blogs as they reflect on agreed-upon mutual topics without sharing content.

The decision to segregate content allows the writer freedom from each other’s influence as we tell the story and respond to mutual topics from our own points of view. This allows the reader to integrate a story larger than the characters who play the parts.

We invite you, the reader, to comment on the experience of our process on either or both blogs and we appreciate the protection of our content from our co-author while we provide you with our perspectives in this unique way.

Thank you. – Kate (Kathleen) & Cathy (Cathleen)

Language for Invisible People

One challenge of life-in-reunion is finding language that supports it.  Adoptees become the usual “daughter” or “son” after the initial “adopted” child fades to becoming simply “the child” of their parents – adopted or otherwise.  The parents are considered the “adoptive parents” socially at first and then that term is dropped to “parents” by the time the child comes of age unless there is a conspicuous reason to include it.  “Adoptive parents” become “parents” and “birthmother” disappears to become an historic reference – a woman who’s name and true story remains veiled behind the faceless storybook role she plays to produce the consequence of her decisions in the form of a child. Of course, the generation when my daughter was born preceded open adoption.  From discussions with members of triads (birthparent, adoptive parent, child) involved in open adoption, I wonder if the gap has closed much or whether it remains enigmatic.  My gut says it’s still a can of worms.

The word  “birthmother” was coined a few years ago to define the role I am in.  The definition can be found in the medical or law dictionary but it’s not to be found in standard dictionaries. If you google a dictionary online, it comes up short – no results.  Dictionaries that do include the word “birthmother” define it as “a biological mother.”  That sounds like a word for a breeder. It has a clinical ring to it. I am not a breeder.  I’m a conscious person living an intentional life who became unintentionally pregnant at an early age.

When I am introduced by Cathy as her birthmother, it is because she needs to differentiate between her adoptive “real” mother and me, her “unreal” mother.  It’s a painful setup for me but I am powerless to change it. I bear the consequences of my decision and becoming nameless is one among many.

Words are important in our society.  Without a name, it does not exist. So for now, this is a word I need to embrace no matter how it makes me feel.  There is no satisfying word she can use that protects me from the loss of my limb, the child I brought to bear.  I am part of a paradox that includes and excludes me from the definition of the word “mother.” Even my child takes an explicitly matter-of-fact stance on whether the “M” word is one that I have her permission to use. I do not. So it goes.

When I introduce Cathy to people, it is as my daughter and she’s okay with that.  I’m glad. I am grateful to use the word “daughter” for my first child, the baby I bore unable to raise.

The possessive “my” before “daughter” looks innocent enough. In reality, that two-lettered word is loaded with contradiction for any mother who has relinquished a child.  Papers with my signature lay buried in a file cabinet somewhere in New Jersey as proof of a dispossessed child and any claim I ever had on her. For eighteen years I didn’t know if she was still alive while her real “mother” watched her grow by day and night, one year after the next.

Now we have been in reunion for twenty-two years.  It is a relationship lined with familial aspects of mother and daughter.  It is also a relationship that bars me from using that word out loud.  Ever. Our relationship is defined somewhere between yes and no, visible and invisible, possessive and dispossessed, a word and a wordless place.

There is a body of layers – physical, emotional, spiritual – between my role and our connection.  There may never be a word for me that answers the heart between vanquished mother and reunited mother. Maybe having the word doesn’t matter as much as what we are saying to each other and who we are being with and for each other.  There is no one like me.  There is no one like her.  We are unique in our bond and words cannot break or bind it – words can define or distract but in the end they are only words.

On the outside, I am cool and collected.  Nonplussed and immovable. When I get flustered, I remember that what we have is an unusual and remarkable gift. If I take it for granted enough to get annoyed, all I have to remember is what it was like when I didn’t know where she was, what she looked like or how life was treating her.  To know these things is nothing short of a miracle for me – no matter what I am called or not – and I hold on to that knowledge like fine gold. Our connection makes me much more than a breeder and less a nameless mother under indictment.

There is love between us.  It’s a love that belongs to us. We get to share this love with family, friends and deep community who share our lives in Portland.  “What’s in a name? That which we call a rose by any other name would smell as sweet.”  … I will care, watch, listen, tune in, pray, sing and wait.  My mother heart beats blood we share.  If the perfect moniker is to be discovered for who I am to my daughter, it will merely be a word for what is already there.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

This blog was also posted on Kathleen’s mothertone blog.To read Cathleen’s counterblog, please visit http://reunioneyes.blogspot.com

Kathleen~Cathleen is a book between a birthmother and reunited daughter (in reunion for twenty-two years) who have chosen to write mutual alternating chapters from their individual perspectives without sharing their content with each other until they are finished.  The authors, Kathleen (Kate Power) and Cathleen (Cathy Heslin) have been co-writing Kathleen~Cathleen for seven years.  They are near the finish line.

When the book is done, they will share their chapters prior to publishing the book. This technique is used to recreate their story in its truest, unaffected form so that the reader may integrate their experience as a whole and come to their own conclusions. This effort is being made in the hope of deepening understanding for people separated  by issues of identity and social standards.  Kathleen (Kate/mothertone) and Cathleen (Cathy/ReunionEyes) have extended their autonomous vehicle to their current blogs as they reflect on agreed-upon mutual topics without sharing content.

The decision to segregate content allows the writer freedom from each other’s influence as we tell the story and respond to mutual topics from our own points of view. This allows the reader to integrate a story larger than the characters who play the parts.

We invite you, the reader, to comment on the experience of our process on either or both blogs and we appreciate the protection of our content from our co-author while we provide you with our perspectives in this unique way.

Thank you. – Kate (Kathleen) & Cathy (Cathleen)