Sandhill Cranes (kate power ©2012)…story & lyrics at end of blog… My eyes fall on the Buddist Chant CD lying in front of the boombox on the kitchen counter. A cache of vitamins, Wellness formula and a small bottle of Elm Bach Remedy drops “to restore optimism when overwhelmed by effects of responsibility and change” are lined up in a row on the shelf. I squeeze a dropper of the Elm into a tall glass of filtered water, slip the CD in to play at a comfortable volume and set the timer on the oven for forty minutes. If I exercise early, my mind will calm down so I can navigate from a grounded perspective. I prepare the lifeboat of my body to travel into the plans and the inevitable unexpected turns of the day before me.
Under the calm of my face, a small wave of anxiety falls and rises to slap the sides of my boat, still on course from last night’s dreams. My body rolls down into a spinal curl, down and up again. My mind steps from the dream boat onto sand. My body adjusts to the weight of the motion and lands. My toes find the back of the mat and I roll to the floor, my hands splayed below my shoulders to push off into pushups. My breath calibrates to the movement and galvanizes my mind in sync to the rhythm. I can measure my strength by sets. I’m stronger than I was a year ago. Residual scenarios spin free from the open can of my dreams that beckoned new beginnings from old places filled with family, friends and new strangers and spill into the awakening consciousness of my morning mind. I let my body begin its work to strive toward the day ahead as the evidence of dreams roll into the corners of my room.
The face of Red-Spider Woman, Grandmother Margaret Behan, one of the 13 Indigenous Grandmothers, comes into focus. Her wizened face beamed to hear my Sandhill Cranes song; Father Sky, Mother Earth, Sister River and Brother Trees. It spoke to her and her face was alight with love, I felt its warmth. I watched her hear the song with her heart. Her grandfather had sung a song for her conception. Song brought her to life and she is tied to its music. She understands deeply, as grandmothers do, and responded to my earlier questions of attachment to loved ones who no longer ask for me and told me to let it go.
“They have already let you go,” she says with a gentle expression as befits her beautiful grandmotherly face. Her words ring true and tears drop bittersweet as they swell under my skin, over my heart and through eyes of the child in me who still begs to be loved.
I am afraid to let go. The feeling is so strong, the need to let my loved ones know that I love them, that I have not forgotten them. Years ago, in my strike for independence as a youth, I neglected them to emancipate. Then I remembered who I was, who they were and the place where I came from and scrambled back to the ledge, looking for the path that leads up the sides of the crooked, rocky mountain back to the love that gave me to the world. I search in dreams. I have forgotten the way, or they have forgotten the weight of the love they felt and I have floated away, out of sight and mind, back into the ether of beyond memory where everything without body or heart attached to it is nothing – gone.
I feel lonely in this thought and my mind scurries to the beautiful smile I remember on my mother’s face when she was a young woman and delighted to see me, her baby. I laugh at myself. I am a grandmother three times over now. I am still such a baby. I try to be kind to myself and breathe again to keep the rhythm of my motion centered so I don’t hurt myself as I roll, feet overhead and back again. Breathe.
I remember the sumptuous summer that Cathy and I wrote together in the basement studio of my Portland house. It was a delicious time for us. We were under protected time with the door closed to the outside world as we wrote for hours several days a week all summer long. I still feel warmth from the gift of that time. We had such purpose in our autonomous co-venture. We are the irony we write of and we have come to love each other in new ways in the work we continue to do to provide the world with our story.
A poignant moment that summer happened as we debriefed the work we had just finished for the day. As Cathy talked about our next practical steps, I had a sudden rush of fear and sadness that chased her words out of my ears as they hammered and pounded with the pulse of urgent dismay and my eyes filled with tears.
“What’s the matter, Kate?” Cathy asked, her face suddenly concerned.
I could feel my eyes stretch wide in an attempt to contain the feelings overwhelming me. My mouth opened and I cried out in a small, high voice as tears broke free.
“What if we finish all this and we finally get to read each other’s sides and I find out in the end that I am a roaring disappointment. What if you don’t even like me? What if you really can’t stand me and I didn’t even know it. What if I was too stupid to see the truth. What if all this work to tell ‘our truth’ just turns out to be everything I ever feared? What if I’m just a loser in your eyes. What if I’m the jerk I think I am? What if I’m not anything you had hoped for and in the end I lose you again, only this time it’s because you know better and you just choose to let me go? What if I’m just not good for you after all?”
My voice choked on the last words as my heart broke in my words and I just cried. Embarrassed, my eyes lifted to find hers looking back at me with tenderness.
“But Kate, I love you. We’ve been through it all. We know what our story is. I love you. It’s going to be all right. You don’t need to worry. I’m here. I love you.”
I looked back at her, “Really?”
“I love you, Cathy.”
“I love you, too.”
The chanting voices of Tibetan nuns fade with the memory as the timer beeps. My body has done its work, recalibrated and aligned with the ground beneath me. My mind is awake with daybreak. I thank God for another day, for feet that walk and hands that play. I am ready.
To read my daughter’s counterblog, please visit ReunionEyes.
The story and lyrics to…
The story, gathering and journey of the 13 Indigenous Grandmothers, combined with sandhill cranes in migration at the mesa up in Paonia in the Colorado Rockies, inspired this song. There was just enough battery for this take, set up in a small sea cave in Otis, Oregon last Saturday, September 22, 2012. My husband and I faced each other and with just enough room for our hands to play our ukuleles, I sang into the tiny recorder. You can hear the ocean outside the cave in the quiet in the beginning and at the end.
“Sandhill Cranes” is dedicated to The Global Grandmothers in thanks for their courage & loving prayers.
Sandhill cranes gather in the field;
Lift in the wind, turn and reel.
I can tell the sound by the way it feels;
It fills me with wonder and delight,
It fills me with wonder and delight
Hey, heya, heya-ho,
Grandmother show me what I need to know.
Hey, heya, heya-ho,
Grandfather show me where I need to go.
Hey hey heya heya
Father Sky, watch me from on high
Hey hey heya heya
Mother Earth, carry me below
Hey hey heya heya
Sister River, run beside my side
Hey hey heya heya
Brother Trees, reach and rise.
Sing in antiphon! Fill up the air,
One starts to go and they follow him everywhere.
I would go with them if I wasn’t planted here
With my feet on the ground I walk and go;
With my feet on the ground I walk and go.
Recorded 9/22/12 , Sea Cave, Otis, Oregon
Kate & Steve
kate power/voice, six-string tenor uke
steve einhorn, uke